shutterstock_96339449

Moorish plasterwork from Granada's Alhambra Palace

Andalusia

 

for Giuliano Capecelatro

 

 

ANDALUSIA 

 

Do not rush

into a desert night

Shield your eyes

against these stars

 

Recall the North—

decades demanded

simply to hint

at spruce or ice

 

Move a hand slowly here

The wide-eyed lizard

beside your pen

has seen a ghost

 

 

GENIUS LOCI

 

I have packed

the wrong books

into this desert—

 

of northern gods

who rage and sweat

in their dark fur

 

Here, a languid demon

only nods

toward the courtyard

 

and the smallest of ants

silently removes

a dying cricket

 

from the hot

white stone

 

 

DESERT PROPHECY

 

As the shard

works its way

through stone

up into the sun

you will rise

from night’s matrix

 

Today, you will brush

centuries of earth

from a fragment

of thought, reveal

an ancient potter’s

perfect green and blue

 

Later, in the heat

you will obsess

over white,

then sleep

without closing your eyes

 

 

SURVIVAL

 

I would never thrive here

but I might survive

as a fragment, of course,

as a shard

 

something once fashioned

by a strong brown hand

then aged in sand,

sturdy and simple—

 

or as a scavenger

whose rare cry

might be heard at dusk

in deference, in homage, to all

 

something that small: the slave

of a slave, shadow of a shadow

who worships among cactus

trusts to thorns

 

and begins each night with please

 

 

LEARNING LORCA 

 

Too much history here

I cannot sleep

 

Cold lightning

to the west

over the Sierra Nevada

tonight

startles the centuries

awake and back

into hunger—

 

Huge black horses

trample winter’s

garden again

 

laughing

outriders

dark matter

made flesh

 

 

THE VOTIVE FIGURE

 

Awakened

by some fierce new god

striking the old mountains

 

exhumed by his storm

I sit up

after centuries

 

abraded but amazed

to feel

desert wind again

 

I have survived all

I was meant

to placate or reveal

 

And am now pure—

art and in anyone’s service

 


Though born in Norway, Erling Friis-Baastad was raised in the U.S. and has spent most of his adult life in the Yukon Territory, Canada. His poems have appeared in a number of chapbooks and collections, as well as many literary journals and anthologies. His most recent collection is Wood Spoken: New and Selected Poems (Harbour, 2005). The Andalusia poems were written while in residence at Fundación Valparaíso in Mojácar, Spain. The suite will be part of a new collection of poetry entitled Fossil Light.

Latest Articles